If you have spent any time in our shop, you’ve probably noticed the superb wines of Fèlsina from the Castelnuovo Berardenga area of Chianti Classico. In fact, featuring these Tuscan beauties has become something of a tradition for us. (The card on the ever-present box of Chianti Classico now reads: “Excellent as Always.”) Our longstanding commitment to this esteemed producer has set forth a wonderful, mutually beneficial experience for us, our customers, and the winery.

Over the years, many of us at Paul Marcus Wines (and a number of you) have had the opportunity to visit Fèlsina, and we’ve become well acquainted with these great wines and the lovely people who work to create them. It really is an example of remarkable, dedicated people and an extraordinary place on Earth coming together to create something distinctive and magnificent.

In 1966, Domenico Poggiali acquired the estate and began a serious upgrading of farming and vineyard management. With the addition of Giuseppe Mazzocolin (a scholar of classics and history turned wine producer) in the late 1970s, the modern winery began to take shape, and by the mid-1980s, they were already producing some of Tuscany’s most memorable wines.

Giuseppe Mazzocolin

Located in the southernmost part of the Classico zone, Fèlsina is devoted to sangiovese, the area’s supreme grape, and to organic, environmentally responsible farming. They produce wines they believe to be the most Brunello-like of all Chianti. Indeed, these are some of the deepest and most age-worthy wines of Chianti Classico, celebrating the region’s singular earthy terroir, with dark fruits and anise and sandalwood spice notes.

Yet, these wines are so polished and elegant that they are enjoyable immediately, even the great Rancia Riserva. That said, I have had many old bottles of the Rancia, and they can be absolutely stunning, easily eclipsing probably 90 percent of Brunello on the market. And once you get a look at the site, you can understand how that is possible.

I have a fond memory of driving around with Giuseppe and stopping at a small dwelling at the top of the old, perfectly southwest-facing Rancia vineyard. It is breathtakingly beautiful and simply ideal for the sangiovese that thrives there. Mind you, Fèlsina uses only sangiovese for their Chianti Classico. (They believe, as I do, that cabernet and merlot take away much more than they give to sangiovese.) I asked Giuseppe how old the house is, and he said, “Well, I have papers back to 1400, so perhaps it’s older.”

Currently, we offer a number of different Fèlsina wines from several vintages, in both standard and half bottles, including the 2017 and 2018 Rancia. Also noteworthy is the exceptional value of these wines–the flagship Chianti Classico is still less than $30, and the Berardenga Riserva is less than $40. And the Rancia Riserva, one of the world’s most enchanting wines, is $60 for the ’17 and $62 for the ’18–not exactly cheap, but rather reasonable when compared to the cost of a middling Burgundy, Bordeaux, or California cabernet.

At Paul Marcus Wines, we have always been keenly focused on Old World wines–for almost 40 years, the shop has offered one of the most complete and compelling selections of European wines in the Bay Area. However, we also pride ourselves on our diversity and our adventurousness, augmenting our European selection with a wide range of tempting New World offerings. In recent weeks, we’ve added a number of wines from South America in a variety of styles. Following is a quick survey of the latest additions to our South American lineup.

Viña Progreso’s Gabriel Pisano was (literally) born in the vineyard.

2018 Progreso Old Vine Tannat (Uruguay, $31)

Brought to Uruguay about 150 years ago, tannat has emerged as the country’s go-to grape. This version is dense, dark, serious, and balanced. Aged for 12-18 months in a mix of new and used Burgundy barrels, this bottle is ready for red meat.

2020 Zuccardi Malbec – Concreto (Argentina, $37)

Fresh, lively, and herbaceous, but with a deep core of purple fruit, the Concreto boasts a combination of power and finesse. The grapes come from the calcareous soils of the Paraje Altamira section of Mendoza, and the juice is fermented and aged in concrete. This impressive bottle should age gracefully for another 3-5 years or more.

2020 Poligonos (Zuccardi) – Cabernet Franc San Pablo (Argentina, $31)

This falls somewhere between the vegetal, leafy Loire style and fruit-forward California style of cabernet franc. Winemaker Sebastian Zuccardi uses fruit grown in the high-elevation sub-region of San Pablo in the Uco Valley, and the final product benefits from judicious use of large, old foudres.

2022 La Jirafa y El Enano Naranjo (Argentina, $19)

Made with 100 percent torrontés from Mendoza, this beauty undergoes a 30-day maceration and offers notes of orange peel and almonds–a terrific introduction to orange wine at less than $20.

2022 Luyt Tinto Chicha 1L (Chile, $27)

Louis-Antoine Luyt, a native of Burgundy, has been instrumental in jump-starting Chile’s natural-wine movement. This enticing, gently pressed red is made with 100 percent país from Maule and is fermented in stainless-steel tanks, making for easy-drinking pleasure.

2022 Luyt Portezuelo – Pipeño Blanco 1L (Chile, $24)

This skin-contact, low-sulfur white blend (10-12-day maceration) from Itata is floral, aromatic, and intense–not your typical orange wine in color or texture, although it does offer some earthy, savory characteristics.

2021 Longavi ‘Glup’ Cinsault (Chile, $19)

From a single parcel in the Itata Valley, this is a light, bright, low-intervention red (12.5 percent alcohol) made with 30 percent whole clusters and aged for six months in large, old foudres.

Envínate has been steadily crafting some of the more exciting–and sought after–Iberian Peninsula wines in recent memory. The Envínate project was spearheaded by a group of four friends who met while studying wine growing. (Envínate means, in so many words, “to wine yourself.”) While focusing primarily on the Canary Islands and Ribeira Sacra, they also work with exceptional vineyard sites throughout Spain.

The Envínate Albahra Chingao is one of the finer examples I have come across of an unsulfured wine–and what it can express in terms of sheer deliciousness and elegance, all while relaying an amazing transparency of terroir. It’s made from 100 percent garnacha tintorera (a.k.a. Alicante Bouschet) grown in a very special white-limestone-rich, 30-year-old vineyard (similar to the albariza soils of Jerez).

Albahra (Castilian for “small sea”) is named for the vineyard area in the Almansa region close to the town of Albacete, located at the southeastern tip of Castilla-La Mancha (about a two-hour drive west of Valencia). Sitting above 800 meters, the vineyard is trained “en vaso” or “alberello,” distinguished by its little-bush-vine style. Garnacha tintorera is also notable for its red pulp–one of the few red grapes on the planet to feature red pulp as well as red skin.

This wine checks most of the boxes that we appreciate: hand harvesting, indigenous-yeast fermentation, and mostly whole cluster, with concrete being the vessel for both fermentation and an eight-month rest before bottling without sulfur. Hence the term Chingao, which translates to something along the lines of a pleasant, unexpected surprise or realization–as in, hot damn, that’s good!

Expect quite the array of purple and red fruits, all wrapped up in a gorgeous, spice-laden blossom. Maybe sprinkle a piquant Moroccan spice blend (say, ras el hanout) on your lamb shoulder chop and marinate while your sweet potato roasts in the oven. Finish it all with some creme fraiche, lime, and cilantro. Oh, and make sure to have a slight chill on that bottle of Albahra.

While the Chingao bottling of Envínate’s Albahra is a stunner, their regular Albahra cuvee isn’t far behind. This sees the same treatment as the Chingao bottling for vinification, except there is 30 percent moravia agria in the blend, lending a brighter, slightly more acidic punch–perhaps a bit less concentrated and higher pitched. It also sees a small amount of sulfur at bottling.

Both of these wines truly showcase the freshness and versatility that garnacha tintorera can achieve when nudged a certain way.

The prized nebbiolo grape reaches its full potential in the powerful, complex, intense wines of Barolo and Barbaresco. There are occasions, however, when the humble drinker might prefer a style of nebbiolo that is more approachable (not to mention affordable). At Paul Marcus Wines, we offer several examples of nebbiolo that is lighter on its feet, versatile at the table, and more accessible in its youth.

For starters, check out the bright, supple, aromatic 2020 Paitin Langhe Nebbiolo ‘Starda.’ Located in the western Langhe village of Neive, just outside Barbaresco, Paitin has been producing their Langhe nebbiolo for 130 years. The grapes for this cuvee come from 40-year-old vines planted in sandy, lower-elevation soils. After a relatively long fermentation in stainless steel, the wine rests in old Slavonian barrels for up to a year. With vibrant red fruits and ample acidity, this high-toned nebbiolo will perfectly accompany, say, penne with pancetta and mushrooms in a vermouth cream sauce.

Next we head north to the Alto Piemonte and the 2018 Proprieta Sperino Coste della Sesia ‘Uvaggio.’ Based in Lessona, the Proprieta Sperino project began about 25 years ago, and their ‘Uvaggio’ cuvee is made from 80 percent nebbiolo rounded out by 15 percent vespolina and 5 percent croatina. This wine is a bit softer and more textured than the Paitin; it’s floral and spicy, with dense fruit and a distinct mineral edge. Try this one with pan-roasted pork tenderloin smothered in fresh herbs.

Finally, we return to the Langhe for the outstanding 2019 Cascina delle Rose Langhe Nebbiolo. The fruit for this lively, structured, and balanced bottling is all declassified Barbaresco from the famed Tre Stelle vineyard, and there is no wood used at any point in the production process; fermentation and aging all take place in stainless steel. The resulting wine is pure, elegant, and energetic, with a gorgeous nose and an almost Burgundian mouth feel. Make yourself a pot of orecchiette with sausage, brown butter, and sage, and you’ll be high-stepping into town!

Of course, Paul Marcus Wines also boasts an impressive array of world-class Barolo and Barbaresco if you’re looking for a special-occasion nebbiolo. To learn more about our wide-ranging nebbiolo selection, stop in and say hello. We’d all love to chat with you about one of our favorite grapes in the world.

Readers of our newsletter already know that I love kékfrankos, the Hungarian version of blaufränkisch. If you need a reminder why, read Why We Love: Blaufränkisch/Kékfrankos from last year. Last week, Eric Danch, our favorite importer of Hungarian and other Central and Eastern European Wines, brought us three completely distinctive kékfrankos. The show-stealer was the 2019 Heimann & Fiai Kékfrankos Bati-Kereszt.

Zoltán and Zoltán Jr. Heimann are father and son (fiai means “sons” in Hungarian). They, along with wife/mom Ágnes, grow and make wine in the southern Hungarian appellation of Szekszárd (pronounced SEX-hard, more or less… yes, really). Check out the Danch & Granger page on this family winery for a sense of the long and tortuous history of wine production in Szekszárd; Celts, Romans, Cistercians, Turks, Serbians, and Swabians have all played a role.

Bati-Kereszt is a single, north-facing vineyard near the Danube River with loess (wind-blown silt) soils over red-clay layers. Heimann’s vineyards are certified organic; they ferment naturally and generally mess with the wine as little as possible in the winery. This wine ages in a combination of stainless-steel tanks and wooden barrels for eight months. It’s got a wildly expressive spicy and floral nose that’s redolent of dark berries.

This is a kékfrankos with some structure, yet still lively and refreshing. Drink it with roasted vegetables and/or braised meats–bonus points for anything involving Hungarian paprika.

Nothing says “holiday celebration” like a bottle or three of Champagne. If you’re looking for some direction in your choice of bubbles, we’ve assembled a three-bottle Champagne Party Pack that showcases the stylistic diversity of the famed region–with different grape blends, dryness levels, vineyard locations, and winemaking approaches. This specially discounted package will help distinguish your own holiday party–and it’s also the perfect gift for the oenophile in your life.

Bottle 1: Vouette & Sorbée Blanc d’Argile Brut Nature ($126)

(Certified Organic, Biodynamic, and Demeter)

This house is named for Bertrand Gautherot’s two growing parcels in the hills of the town of Troyes in the Côte des Bar. Bertrand is a true vigneron–just as present in the fields, cultivating the vines, as he is in the cellar–the epitome of “grower champagne.” His devotion to his vines and to biodynamic viticulture has garnered him quite the cult following. His precision and unwavering attention to quality has made Bertrand a sought-after name among sommeliers and collectors alike.

Bertrand’s wines are all fermented with indigenous yeast in French oak barrels. He prefers to make wines as transparent as possible; therefore, in addition to his strict farming and winemaking practices, he does not add any liqueur de l’expedition (a mix of wine and sugar to top off the bottle after disgorgement). It’s a true brut nature (absolutely no dosage/sugar additions), and he only adds small amounts of sulfur in accordance with the Demeter law.

Bertrand’s vineyards in the Côte des Bar are more akin to those of Chablis: rocky Kimmeridgian and Portlandian limestone. This region of Champagne is known for its pinot noir production, but of course–being the renegade he is–Bertrand’s Blanc d’Argile is 100 percent chardonnay from Briaunes, his largest parcel, with a small amount of fruit from scattered plantings in his other Côte des Bar townships. Its ripe fruit is offset with acidic tension.

Mineral, nougaty, and salty, this wine is often compared to a (bubbly) grand cru Chablis. Pop these bubbles to impress the wine expert in your life or to experience an indulgent night in.

Bottle 2: Saint-Chamant Epernay Rosé Brut ($80)

(Practicing Organic)

Champagne Saint-Chamant was established in 1930 by Pierre and Hélène Coquillette. Their son Christian took over the estate in 1950 and brought Saint-Chamant to international recognition. Christian’s son Stéphane succeeds him as the third generation.

The estate is located in Epernay in the Côte des Blancs, which is known for its chardonnay production. This rosé is 92 percent chardonnay (all grand cru fruit) and 8 percent pinot meunier. Farming is done under organic practices (however, the estate does not hold any certifications). All vineyard work is done by hand. Christian believed in extended lees aging, and all the wines are disgorged to order, something that is particularly unique in Champagne.

This Champagne is rich, with bursts of raspberries and cream upon opening. The finish is dry, with a dosage of only 5g/L, yet creamy. The bubbles are fine, giving this NV Champagne an aged feel. These bubbles are sure to please Champagne drinkers of all types. Enjoy with cheeses, meats, and rich shellfish dishes.

Bottle 3: NV Jacquesson Cuvée 745 Extra Brut ($89)

(Sustainable/Herbicide-Free)

Jacquesson Champagne production traces its roots back to 1798. This name has laid the foundation for some of the greatest and most renowned Champagne houses, such as Krug. (Johann-Joseph Krug left Jacquesson in 1843 to produce his own wine.) The success of Jacquesson, however, is not simply in their longstanding name or parentage of other great houses, but also in their modern manifestation as a large-production, grower Champagne.

In the 1980s, brothers Laurent and Jean-Hervé Chiquet took over the winemaking and estate management from their father. They immediately adopted pesticide-free, organic practices in order to produce a less manipulated, more terroir-driven Champagne style. Only juice from the first pressing is used, and all the juice is either from grand cru or premier cru vineyards. The wine ferments in large foudres with regular battonage (lees stirring).

To further highlight their vines’ terroir, they began using a majority of a single-vintage base for their blended, non-vintage wines–a non-vintage wine in a vintage style. They marked the start of this new philosophy by labeling the wines as the 700 series. They began with 728, and each year, a subsequently numbered cuvée is released, with Cuvée No. 733 based on the 2005 vintage, Cuvée No. 734 based on the 2006 vintage, and so on.

The 745 uses the 2017 harvest as its base and includes grapes from the areas of Ay, Dizy, Hautvillers, Avize, and Oiry (Vallée de la Marne). The blend is always about 80 percent chardonnay plus about 20 percent pinot noir and pinot meunier. Late-onset frosts were particularly destructive and were followed by a hot and wet summer. Rigorous sorting left them with small yields, but incredibly premium fruit.

The wine is lush and plush with a creamier-than-usual palate due to the low, ripe yields. All Jacquesson wines spend a minimum of five years on the lees, and the very low extra-brut dosage of .75g/L deftly complements the wine’s natural ripeness. It offers notes of pineapple and creamy lemon curd, with bright lemony-chalky acidity and persistent perlage (fizziness).

 

To learn more about these exquisite bottlings or to discover the wide range of Champagne available at Paul Marcus Wines, please visit us at the shop.

— Emilia Aiello

As we always say here at Paul Marcus Wines, “wine is food.” To us, your choice of holiday wines is as important as anything else on the menu. (OK, fine, it’s much, much more important.) In past years, we’ve focused on Thanksgiving wines that are “outside the box” and “off the beaten path.” This year, we’re going to take the opposite approach–wines that are firmly in the T-day pocket–specifically, wines from Burgundy and Beaujolais.

There’s a reason why chardonnay, pinot noir, and gamay are perfect choices for the Thanksgiving table–their stylistic versatility allows them to pair well with a wide range of flavors. They are meant to complement, not dominate, the array of food before you.

The task at hand was for the staff to share ideas for one “value” and one “splurge” from the celebrated wine region in the heart of France. Of course, some of us couldn’t resist wandering off the beaten path … which just goes to show: There are no rules in the world of wine–only suggestions and propositions. Here are a few ideas to get you pointed in the right direction, but the ultimate destination is up to you.

Stunners and Showstoppers (Sorry, Uncle Buck)

Aside from the usual bubbles we will share at our Thanksgiving table, my wife and I will start with a bottle or three of the 2020 Domaine Joseph Voillot Bourgogne Rouge Vieilles Vignes. The wine is so bright that it makes no difference if you serve it before your rosé or white wines; it has a bracing but friendly acidic spine with crunchy fall fruit. Notes of cranberry and raspberry swell over the palate. This is all old-vine pinot noir with depth and a surprising concentration that will accent a variety of dishes–and at $42, this is a financially feasible opening gambit. Oh yeah.

As we move forward, I will open a bottle of the 2017 Marchand-Tawse Gevrey-Chambertin ‘En Pallud.’ Round and rich but rippling with bright old-school acidity, this is a top-flight red Burgundy that is a showstopper every time I have it, and its $85 tag represents a great value for Burgundy.

For a white “pairing” with the Marchand-Tawse, we’ll turn to the truly great 2016 Comte Abbatucci Cuvee Collection ‘Diplomate d’Empire’–perhaps the pinnacle of white wine from Corsica. Dominated by the Corsican mainstay vermentinu, it also adds a mix of local grapes including biancu gentile, rossola bianca, brustiano, and genovese. Grown on granite soils, it is, like all of Abbatucci’s wines, very organic. (“Very?” you ask; the Count has musicians play occasional nocturnes to the vines in the red-brown, blue evenings.) Six years of bottle age allow the wine’s complexity to rise from the glass.

The Diplomate blanc is not for the faint of heart on any level. It is both subtle and powerful, intensely laid back and truly stunning. And at $91, I would suggest not rushing through it. It deserves time to breathe, and I’m definitely not too worried about Uncle Buck getting any of this very-limited gem!

To that end, I find it helpful to remind myself that not everyone at the table needs to get a glass of every wine that is opened. I also advise having a few bottles open at the same time, which gives people choices and helps manage the more expensive tastes at the table, so I would suggest having a bottle of Cava at the ready.

— Chad Arnold

When Playtime’s Over

I see two kinds of wine for T-day. Mostly, I serve any manner of fresh, fruity, lithe, low-alcohol wines–red, white, or rosé, it hardly matters. These are the joyful, playful, early-meal wines that keep the conversation light and bouncy. Amateurs and kids love ‘em.

But once the kids leave the table and the food and conversation slow, it’s time to go deeper. No shouting or boasting wine, but serious nonetheless–serious, yet graceful, because it’s been a long meal. The 2012 Marchand-Tawse Morey-Saint-Denis ‘Pierre Virant’ is all that. After 10 years, it’s composed and elegant and quietly insistent about its worth. It’s a wine that creates enough pause to allow you to consider how good things are.

— David Gibson

 

Burgundy and Beyond

A terrific white Burgundy from 90-year-old, organically farmed vines in a single terraced vineyard, the 2019 Agnès Paquet Auxey-Duresses ‘Patience No. 12’ has an explosively expressive nose of orchard fruits and deftly integrated oak. The palate is voluptuous without excess, with refreshing acidity and great depth and length.

To surprise your relatives, consider the 2017 Burg Ravensburg Pinot Noir ‘Sulzfeld’ from Baden, Germany. Most of your tablemates don’t know how much reputable pinot noir comes from Germany–and at great prices. The Burg Ravensburg is delicious pinot noir with some bottle age at an appealing price–organically and biodynamically farmed, old-school yet still elegant.

For high-end red “Burgundy,” the 2015 Georges Remy Bouzy Rouge Coteaux Champenois ‘Les Vaudayants’ is a true ringer. Coming from the village of Bouzy in Champagne, it’s an amazing, single-vineyard, still pinot noir that rivals great red Burgundy and yet comes from a place that almost no one knows makes still red wine–never mind world-class still red wine. Certified organic and biodynamic, this is perfumed, delicate, red-fruited pinot noir with great texture, finesse, and depth.

— Mark Middlebrook

 

Côte de Beaune Brilliance

There is little doubt that red Burgundy is the perfect complement to the Thanksgiving meal. The 2016 Domaine Tawse Volnay Premier Cru ‘Fremiets’ is textbook Volnay. The vineyard, which borders Pommard and shares similar limestone soils, is an early ripening vineyard. The farming is organic and biodynamic, and the wine is lovely. A bit forward, the mouthfeel is middleweight with complex details that express both the terroir and the winemaking. With a little earth and a lot of suppleness, it has a long, seamless finish.

Many of you are already familiar with the wines from Maranges’ Domaine Maurice Charleux et Fils. Maranges is located four kilometers southwest of Santenay in the Côte de Beaune, and vintage after vintage, the wines of this domaine have been overachievers. The 2020 Charleux Maranges Blanc falls right in line. It has deep notes of apple and pear, with a touch of Côte d’Or exotic fruit and a lovely beam of acidity that supports its rich fruit–an ideal white wine for the holiday table. Enjoy!

— Paul Marcus

Souls Reaching Their Goal

The remarkable success story of Agnès Paquet continues with her latest releases, including the 2020 Agnès Paquet Santenay Premier Cru ‘Les Gravières.’ Farming 13 hectares (about 31 acres) organically, using only indigenous yeasts, Paquet, the first in her family to make wine, is now known as one of the leaders in a new generation of excellent young producers in Burgundy. And I will add that the outstanding price-to-quality relationship of her wines is a true rarity in the region.

This beauty is a little richer, darker color than you might expect, plush on the palate with nice red cherry fruit and a hint of licorice. It will be able to handle all of those diverse Thanksgiving flavors and will truly shine with dark-meat turkey (and if the white meat is dry and boring, have a sip of this wine and you won’t care).

I am breaking the rules by including an Italian wine with all of the Beaujolais and Burgundy–hey, I am the Italian buyer after all–but the 2021 Torre dei Beati Cerasuolo d’Abruzzo ‘Rosa-ae’ is just too perfect to leave out. The name Torre dei Beati (“tower of the blessed “) derives from a 14th century fresco in a local church that tells a story of souls reaching their goal through hard work and many tests. This organically farmed estate chose the name because they embrace the same philosophy in their winemaking.

Cerasuolo d’Abruzzo is perhaps most easily described as somewhere between a light red and a more full or serious rosé, and it’s best served cool but not ice cold. The 2021 Torre dei Beati is a great example of these unique wines. It is vibrant with red berry “frutti di bosco” (like a light red) and is lifted by a pleasant stony, mineral zip (like a good rosé). This is an easy-drinking, delicious, and refreshing accompaniment to the Thanksgiving meal.

— Joel Mullennix

 

Long and Tall

Georges Descombes

While you’re sweating it out in the kitchen chopping jalapeños for your cranberry sauce or mincing onions for your gravy base, throw a chill on the 2020 Georges Descombes Régnié. Made from 100 percent gamay grown on granite soils, it’s the kind of wine that brings brightness and lift from its shorter maceration time and partial carbonic-fermentation period. At $30, this is my kind of Beaujolais: long and tall and purely, utterly tasty.

On the other hand, the 2019 Joseph Voillot Volnay Premier Cru ‘Les Fremiets’ ($100) is more contemplative for sure–definitely the kind of wine you’ll want to sit with for a while. A cornucopia of red fruits, orange peel, and spice drawer, all wound together around a tight core of limestone minerality, Voillot’s Volnays offer such clarity in these times of uncertainty. How can you resist?

— Jason Seely

 

My Kind of Jam

Tasting my way through Paul Marcus Wines’ extensive Beaujolais selection, I’ve learned so much about gamay and its wide range of expressions: from incredibly light and fresh to medium-bodied and darker-fruited. Unless you’re familiar with the producer’s tendencies, you won’t quite know what you’re in for. The 2021 Domaine Chardigny Beaujolais-Leynes was a surprise for me. I didn’t have unreasonably high expectations for it at $27 a bottle, but upon opening it, I could tell even just by the nose that it was my kind of jam.

This wine strikes right down the middle of the gamay extremes. The notes of ripe cranberry and juicy pomegranate give the wine some flesh, while the immediately apparent peppery note and tangy finish counter what could otherwise be an overly fruity wine. (That tangy finish is most welcome in the face of what is to be a heavy, buttery Thanksgiving meal.) It is a great starter wine for those diehard red wine drinkers that refuse bubbles and whites, but don’t be surprised if you find yourself sipping on it throughout the entire evening–it will keep you salivating and ready for the next bite.

While $99 is certainly not the price of an everyday wine, the 2012 Marchand-Tawse Morey-Saint-Denis ‘Pierre Virant’ sure feels like a steal. This producer consistently delivers above its price point, and the 2012 confirms what we knew all along–they just don’t disappoint. Notes of mushroom and forest floor immediately upon opening give way to dried red cherries and the teeniest, tiniest hint of smoky flint. The acid is still fresh and persistent, making the wine quite light on its feet despite packing in so many flavors. The tannins are soft, but present at the finish. If mushrooms or black truffles make an appearance at your Thanksgiving spread, this is a must-have pairing. If not, try it with hard aged cheeses and gravy-soaked turkey … or even better yet, turducken.

— Emilia Aiello

 

Which Is the Splurge? Which Is the Value Play?

Recently, I’ve been rather delighted by the wines coming out of Marsannay. If you’re looking for value, Marsannay, the northern gateway to Burgundy, consistently delivers wines of quality and character that tend to be approachable in their youth. While they don’t have quite the power or complexity (not to mention the cache) of its Côte de Nuits neighbors, Marsannay wines are accessible and food-friendly, with deep, meaty fruit and ample acidity thanks to its combination of limestone and clay soils.

Jean-Louis Trapet

The 2019 Trapet Marsannay Rouge, at $55, is a relative Burgundy bargain. Aromatic and downy, with a dense heart of red and black fruit that’s tempered by its boost of acidity, this wine can certainly hold its own at the feast. It delivers classic Burgundy characteristics–without the triple-digit price point.

It wasn’t too long ago that you couldn’t find Beaujolais for more than 30 bucks, and shelling out almost 50 bucks for gamay was considered almost obscene–yes, times have changed. Yet Beaujolais is home to some of the world’s most distinguished and talented producers, and the region’s most accomplished winemakers take a backseat to no one.

The 2020 Yann Bertrand Fleurie ‘Chaos Suprême Olivia’ (named for Yann’s daughter) comes from old vines (some more than 100 years old) grown on pink granitic soil in the Grand Pré vineyard. A multifarious wine of refinement and distinction, it’s floral, bright, and supremely balanced–graceful and precise, but not without depth and structure. Naturally vinified without any additional SO2, this is undoubtedly worth the $48 splurge it will cost you to delight your guests.

— Marc Greilsamer

At Paul Marcus Wines, we never run out of ideas for your holiday table. Stop by the shop, and we’ll be happy to share them. Happy holidays, and thank you for your patronage.

A customer recently threw me for a loop. His brother, he said, insisted there was no reason to prefer “organic” wine because there was no Scientific Evidence that any effect on your health would ensue from doing so. This represents a basic and common misunderstanding. As was said in an Outer Limits episode many years ago: “Your ignorance makes me ill and angry.” Grrr.

Ferdinando Principiano overlooks his domain

I recently asked Ferdinando Principiano, a noted Piemonte producer, why he switched to organic practices 20 years ago. He had already shown us a native flower that had re-appeared on his property, and nowhere else, after 10 years of careful stewardship. He talked about the stream that he used to catch fish in as a boy that no longer supported fish and how determined he was to change that. And he also said there were days, when he finished spraying pesticides, that he would come home and throw up, not to mention the headaches and his trouble breathing.

*****

Not long ago, I spent the day at a friend’s house in Sonoma Valley. The property is bordered by an olive grove and a vineyard. It’s ridiculously nice. Bucolic. But he took me aside and said that sometimes, at 4 in the morning, he sees people in hazmat suits spray the vineyard. Not bucolic. (I wondered how much of the decision to spray at that time was concern over leaf burn and how much was “optics.”) Of course, in California, the owner of the vineyard hires laborers to do the dirty work, so he or she will never experience what Ferdinando personally experienced, and therefore, may never have a similar “aha moment.”

I don’t think it’s likely that the probably minute amounts of pesticide and herbicide and fungicide residue that transfer from “conventionally made” wine to the consumer would have an effect on a person’s health. At least not compared to the shrink-wrapped, processed meat we’re cooking on our Teflon skillets. (Add your own examples ad nauseam…) But that’s not the whole story.

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We asked Ferdinando why he doesn’t draw attention to his costly and labor-intensive farming on his wine labels. He said he didn’t want to say organic is good and conventional practices were bad because that would insult his parents. Because his parents had not practiced organic farming; because they couldn’t afford to. As we heard from many in the Langhe region in Italy, Ferdinando said his grandfather’s generation was really poor. Until very recently, grape growers had to sell their grapes to the highest bidder–and the bidding was rigged against them.

When you go fully organic, your yield per acre falls dramatically. (This is a serious and not romantic aspect of organics.) If you can’t get more money per ton of fruit, you’re simply slashing your income while increasing your labor. Being able to farm organically requires buyers who are willing to pay more for it. Ferdinando knows how lucky he is to live in a period where he can farm this way: “I have this good fortune, and I must do something to merit it.”

There are so many farmers like Ferdinando–in Italy, in America, everywhere–that want to farm without the chemicals that require hazmat suits, that want their kids to be able to safely eat the fruit and sniff the flowers in their backyard vineyards, and we live in a time where they can.

Let me let you in on a little secret: It’s getting hot out there. As climate change wreaks havoc on our world in significant ways, it’s also messing with our expectations about wine, and presenting ample challenges to winemakers across the globe. Look no further than the wines of Beaujolais.

Overall, the 2020 vintage in Beaujolais was a relatively smooth ride despite intense heat and is considered an excellent vintage in many respects. It is a “more” vintage, to be sure–high yields, dense, concentrated fruit, and loads of acidity. And yet, while there are numerous fine examples of 2020 Beaujolais, even some of the finest bottles lack the defining lift and focus we’ve come to expect from the region. In other words, many of the wines are good, even great, when looked at in a vacuum of sorts, but they just don’t taste like, you know, Beaujolais.

In contrast, the 2019 vintage was a roller-coaster ride of frost, heat, and hail that severely cut into yields and generally made life difficult for growers. But despite all of that, the 2019 Beaujolais harvest produced wines of great elegance, charm, and complexity with the mineral edge and buoyancy we anticipate from the terroir.

Anthony Thevenet worked with Beaujolais legends such as Georges Descombes and Jean Foillard before setting his own path. Thevenet truly knocked it out of the park with his 2019 Morgon Vieilles Vignes. The fruit for this cuvee comes from a mix of 70-year-old vines located in Douby (in the northernmost part of Morgon) and in Corcelette. These are sandy plots that give the resulting wine a certain finesse and refinement, yet the age of the vines delivers great depth as well.

A balanced, well-integrated wine is like a finely tuned orchestra: There are a lot of different instruments playing, but you don’t hear them individually–it’s a mellifluous sound, not a cacophony of competing elements. The 2019 Morgon Vieilles Vignes is a perfect example of this. The bright, bold blend of red, blue, and black fruit is perfectly balanced by ample acidity and minerality and a few floral and savory notes as well. It’s not a light wine, per se, but it still offers grace and precision. It’s not particularly natty or funky, and yet I wouldn’t necessarily call it “clean” either. All in all, it’s a true stunner that certainly wouldn’t mind a few more years in the cellar.

As always, winemaking remains a tricky balancing act between imparting a producer’s style and philosophy and letting nature do its thing. Climate extremes present more tests for the winemaker, but thanks to ever-evolving winemaking techniques and the knowledge and experience gained over the last decade, the best producers are able to maintain regional characteristics and typicity while still, in effect, taking what nature gives them. Anthony Thevenet has mastered the trick with this terrific bottling.

This beautiful 300-hectare estate in Castelnuovo Berardenga, the southernmost of the Chianti Classico zones, has long been one of the great wine producers in all of Tuscany. The estate (with 54 hectares devoted to vineyards) is owned and led by the formidable Principessa Coralia Pignatelli della Leonessa, with whom I had the good fortune to have lunch with several years back. She is as elegant and charming as you might expect and has a great sense of humor. She got a big kick out of the old joke we told her: “How do you make a small fortune in the wine business? Begin with a large fortune.”

Castell’in Villa produces traditionally made Chianti Classico from 100 percent sangiovese, fermented in stainless steel using indigenous yeasts and then aged for two-to-three years in large barrels before bottling. They produce classic, extremely age-worthy wines, yet they are wines that never come across as being severe in their youth.

The 2018 is an absolute gem, beautifully balanced with deep cherry fruit, sandalwood, licorice, and the typical earthy, forest-floor notes of the Berardenga zone.

Principessa Coralia Pignatelli della Leonessa

This vintage has produced a great bottle to drink now with just about anything–meats, poultry, pasta, eggplant parmigiana, I could go on. It’s a lovely and generous wine, a bit more forward than the 2016 and a little less fleshy and ripe than the 2017. But the ’18 is so balanced and harmonious, with good structure, that it will no doubt age gracefully for many years, as do nearly all Chianti Classico wines from Castell’in Villa. Don’t miss it.