Etna is a special wine region. Actually, it is a magical region in many ways and has so much to offer beyond wine. Much of my interest and affection for Etna is due to Ciro and Stef Biondi, who were gracious enough to take me in for the 2018 harvest. In fact, the Biondi family (alongside Marc de Grazia, the Benanti family, and the late Andrea Franchetti) deserves much credit for Etna’s winemaking revival.

Mount Etna, the largest volcano in Europe, is located on the island of Sicily in the province of Catania, and Etna wines are grown on the slopes of the volcano. Locals often refer to Mount Etna as Mongibello (“beautiful mountain” in Sicilian dialect) or, simply, Mamma Etna. Mongibello also happens to be the scientific term referring to the most current layer of ash and lava caused by Etna’s eruptions dating from 15,000 years ago to the present day.

The History

Etna has been a central hub for quality wine production and research for longer than we realize. By the 13th century, Etna had established wineries or “commanderies” that were tended to by the Knights Hospitaller. These men were barons of the Catholic Crusades, and established themselves in the area for centuries.

The winemaking tradition persisted, and in the 18th century, the powerful and well-traveled Spitaleri family brought back French winemaking techniques. For generations, the family practiced these newer methods, elevating the otherwise high-yielding Etna vines to a status that rivaled Champagne and Bordeaux. This assertion is not an exaggeration; in the 1800s, this Etna family would bring back first-place prizes for their sparkling wines, outdoing their French counterparts at world expositions and trade fairs.

Etna’s reputation as a quality wine-producing area, with old-vine production on volcanic soils, blew up in the early 2000s. (Appropriate imagery, right?) It happened fast, and all at once. Producers have hustled to keep up with the production and quality standards that the export market continues to ferociously demand.

Despite its recent success, Etna is still an experimental hub. True to the region’s history, present-day winemakers experiment with different vinification and maturation methods–often with “minimal intervention,” a term that has become synonymous with the natural wine movement.

The Land

The region’s soils are … volcanic. Seems obvious, but what is not so obvious is that a volcano releases a different mineral, rock, and gas composition every time it erupts. Mamma Etna is still active and erupts often, naturally fertilizing the entire Etna area. Etna is also classified as a stratovolcano, which means it is a conical volcano, built up by many layers or “strata” that scientists date and name. After more than 100,000 years of eruptions from different volcanic systems, one can only imagine just how complex the Etna geology is. Despite its natural mystery, there are some specific clues when we taste Etna wines that lead us to certain zones of the volcano.

The three major classifications of Etna’s volcanic history are the Ellittico, Mongibello, and the Milo systems. Ellittico is the oldest of the three, encompassing eruptions from more than 15,000 years ago. Being older, these Ellittico soils are typically under the younger Mongibello strata. There are, however, some areas where the Ellittico soil is exposed: Randazzo in the north and Biancavilla in the south. Wines from vines grown on Ellittico in the north tend to be higher-toned, or “nervy,” meaning that the acid is higher, the fruit brighter, and the minerality more pronounced. Wines from Ellittico in the south have a similar mineral depth and energy, but are more concentrated in fruit–the sun favors the south side, and the vines pump out extra-ripe grapes.

The Etna DOC was established in 1968. It’s surprising it has not yet reached DOCG (Denominazione di Origine Controllata e Garantita) status because of its ever-growing reputation and demand for the wine. It could happen–the Etna Consorzio in the last few years has already taken strides to regulate production, and there has been some buzz of “upgrading” the denomination. For now, it remains a Denominazione di Origine Controllata. The production zone also has altitude delimitations (400-1000 meters above sea level), and a winemaker producing an Etna Rosso can only use grapes that are grown within this altitude range.

The Grapes

Etna has always been home to an assortment of grape varietals (some of which certain winemakers are committed to cultivating despite the fact that they cannot make the wine under the Etna DOC label). Etna, like the rest of Sicily and the Mediterranean, has a multi-cultural heritage, so it is not uncommon to find, say, grenache (brought over by the Aragons) still growing on its slopes.

Today, the mainstay red grape of Etna is nerello mascalese, even though this grape doesn’t show up in historical documents until the 18th century (where it is referred to as “negrello”). The late mention is probably due to the fact that the peasant population cultivated this varietal and had virtually no access to the historical record. Nerello produces stylish, complex wines with brilliant fruit, notable freshness, and a mineral edge. Carricante, the leading white grape, makes dry, structured wines with flinty, herbal notes.

At Paul Marcus Wines, we’ve been Etna aficionados from the beginning, and we continue to enjoy long, thriving relationships with a number of the region’s top producers. Benanti, with vineyards to the north, south, and east of the volcano, creates wines of tremendous finesse and refinement. Graci, in contrast, tends to offer wines of great concentration and depth. Then there’s Girolamo Russo, a producer who offers the best of both worlds. Finally, we have Marc de Grazia’s Terre Nere, one of the pioneers of the Etna renaissance.

Thanks to the versatility of the grapes, the diversity of winemaking styles, and distinctive terroir, Etna wines are quite well-suited to a wide range of foods and personal palates. To learn more about these Burgundian-style, elegant, and age-worthy wines, visit us at the shop.

— Emilia Aiello

Sometimes, there’s just no convincing the people. Though sherry is a relatively recent discovery for me, I’ve been singing its praises for more than a decade–with little success. I hear all the familiar refrains: “My grandmother used to love her $6 sherry,” or “Who are you, Frasier Crane?” That’s fine–more for me.

 

A solera at Bodegas César Florido

Made primarily from the palomino grape, grown on a chalky, limestone-laden type of soil known as “albariza,” sherry is an incredibly versatile and nuanced type of wine. Its homeland is Jerez (hence the name sherry), located on the Atlantic coast in Spain’s southwestern Andalusia region. Sherry can be mellow and easygoing, sharp and bracing, and everything in between. Some are as friendly and relaxed as an old dog; some have enough power and intensity to send ol’ grandma into cardiac arrest.

Sherry is produced using what’s known as a solera system, in which barrels are stacked in tiers to allow for fractional, cross-vintage blending. When the older stuff at the bottom is removed for bottling (a process called the “saca”), it is replaced at the top by the latest vintage.

The lightest, driest, and tangiest sherries are fino and manzanilla, which spend their aging regimen under a layer of yeast known as “flor” (a process known as biological aging). Amontillado and palo cortado begin life as a fino or manzanilla, but are allowed to oxidize after the yeast dies or is killed off by fortification–a combination of biological and oxidative aging– imparting a nuttier, more caramel-like tone while still retaining tang and freshness. Oloroso sherries are fully oxidative (no yeast) and are rich with toffee and dried fruit flavors, yet still mostly dry. Finally, there are sweet sherries made with grapes such as Pedro Ximénez (PX) and moscatel.

The three poles of the Sherry Triangle are Sanlúcar de Barrameda to the north (home to manzanilla), Jerez de la Frontera to the east, and El Puerto de Santa Maria to the south. At Paul Marcus Wines, we are proud to feature sherry producers from throughout the region (and even a couple that are technically outside the triangle).

Up in Sanlúcar, the venerable Bodegas Hidalgo-La Gitana has been making sherry since the 18th century. Their budget-friendly, young Amontillado Napoleon is bright and dry, with subtle hazelnut notes and a long, clean finish. For a special occasion, try the Amontillado Napoleon VORS, which is pungent, mouth-filling, and caramelized, yet still surprisingly focused and floral for a wine aged well more than 30 years. We also have the Wellington Palo Cortado VOS, a sophisticated 20-year sherry that, despite its age, never lets you forget it started out as a manzanilla–it’s sharp, salty, creamy, and nutty all at once, and a reasonably priced entry point into the world of high-end sherry.

Bodegas Faustino González was founded 50 years ago, but its Cruz Vieja line is a newcomer on the sherry scene. The winery is located in the San Miguel neighborhood of Jerez de la Frontera, where the higher elevation invites the Atlantic breezes in from the west. They source their grapes from the historic Pago de Montealegre vineyard, and they own soleras that date back nearly 250 years.

All of the Cruz Vieja sherries are bottled “en rama” (unfiltered), including a delightfully complex, persistent, and mineral Fino En Rama, aged under flor for six years, and a lightly toasted, elegant, amber-hued Amontillado En Rama, which spends six years under flor plus another six aging oxidatively. Their Palo Cortado En Rama spends only the first of its 12 aging years under the veil, but still exemplifies their lighter touch and commitment to freshness. For a completely different experience, their Pedro Ximénez En Rama is raisiny and sweet as molasses, yet is also highlighted by a few spicy, savory notes. Pour this one over a bowl of vanilla ice cream.

Around since 1896, Bodegas Lustau remains one of the best-known and most-respected sherry producers in the world, offering a wide selection of bottlings. At PMW, we offer two from their Almacenista collection–sherries that come from small, independent producers. The Fino del Puerto González Obregón is a salty, citrusy, and edgy five-year fino from a bodega in El Puerto de Santa Maria, while the Oloroso Emperatriz Eugenia, from a solera in Jerez de la Frontera started by Emilio Lustau in 1921, is rich, woody, dark, and robust, ripe with dried fruit yet still mostly dry.

From El Maestro Sierra, which dates back to 1830, we offer a 15-year Oloroso, which balances its richness with a few higher-toned elements. We also have a few bottles left of some of El Maestro Sierra’s most prized releases: the 70-plus-year-old Palo Cortado and the Oloroso 1/14–wines of tremendous electricity and complexity. In addition, there are a couple of VORS (Very Old Rare Sherry, more or less) bottlings from Osborne, the Oloroso Sibarita and the Pedro Ximénez Venerable. Like the two high-end offerings from El Maestro Sierra, these offer unique, once-in-a-decade drinking experiences that will make you wonder how grape juice can be made to taste that way.

From outside the official Sherry Triangle, we have wines from Chipiona’s César Florido. Chipiona, located five miles west of Sanlúcar, is known for moscatel, a grape that produces sweet wines (though not to the level of PX) balanced with some acidity and gentle fruit and spice elements. Florido’s Moscatel Dorado is a great introduction, with its notes of orange peel and honey. Florido’s Fino Cruz del Mar is a three-year en rama fino that is quite dry, yeasty, and smoky–bright, but laid-back.

Bodegas Alvear can be found in Montilla, about two-and-a-half hours to the east of the Sherry Triangle. PX is king in Montilla-Moriles, and Alvear’s Oloroso Asunción is made with sugar-filled PX instead of palomino. Fermented into a welcoming off-dry style (19 percent alcohol, without any fortification), it combines sumptuous dried figs with a surprisingly lucid and lively finish.

Finally, PMW still has a few options from the Alexander Jules line. Alex Russan had been releasing his barrel-selected sherry since 2012, but recently moved on to other endeavors. Luckily, there are still a few bottles of his Amontillado Sin Prisa 1/42–all culled from a single barrel of a long-forgotten 42-barrel solera in Sanlúcar. Only 400 half-bottles were produced of this vigorous, dynamic, yet unexpectedly polished nectar.

With such an array of producers and styles, there’s a sherry that’s perfect for pretty much every part of the meal. As the old saying goes, “fino or manzanilla if it swims, amontillado if it flies, and oloroso if it runs.” Of course, it can be awfully rewarding as an aperitif or, especially, a digestif–a wine of reflection, if you will. Once you discover the wonders of sherry, trust me, you’ll be hooked.

Just don’t tell anyone else…

Homer, by my count, mentions wine at least 87 times in The Odyssey–and that’s not including “the wine-dark sea,” his oft-repeated epithet for the Mediterranean. Oh, what I would give to have been invited into Odysseus’s wine cellar:

And there, standing in close ranks against the wall,
Were jars of seasoned, mellow wine, holding the drink
Unmixed inside them, fit for a god, waiting the day
Odysseus, worn by hardship, might come home again.

Despite thousands of years of important wine history, Greek wine in the 20th century had descended into an abyss of too rustic, often oxidized regular wines, and cheap, pine-resin-infused retsina. That all began to change in the 1980s, and today there’s a plethora of exciting wines made from an ample range of characterful indigenous grapes grown in often-mountainous terroirs on both the mainland and the islands. At Paul Marcus Wines, we’re excited to feature a number of Greece’s most notable current producers.

2019 Inomessiniaki Moschofilero Mati Fortuna

Moschofilero is an aromatic white variety, similar to yellow muscat. This one comes from scenic Peloponnese–the large peninsula just west of Athens. Floral and herbal aromas leap out of the glass, and yet the wine is bone dry on the palate. “A garden in a glass,” you might say. If that sounds like fun to you, try it as an aperitif or with fragrant Vietnamese and Burmese dishes.

2018 Anatolikos Vineyards Fine Assyrtiko

The island of Santorini has long championed assyrtiko, and there’s no question that this impressive variety is capable of making complex, mineral, salty whites. This example, however, is from the northeastern mainland, specifically Western Thrace, and it’s an organically farmed blend of assyrtiko (90 percent) with a bit of malagousia. This is a bigger-boned and more complex assyrtiko, but it retains the grape’s trademark acidity and minerality. Think octopus (Greek for “eight-footed,” of course), tomatoes, and anchovy pizza.

2020 Markou Vineyards eMeis Red

This light, fresh, spicy red from the Peloponnese is agiorgitiko (a.k.a. St. George, Greece’s most widely planted red variety) and mandalaria farmed organically and fermented with 100 percent carbonic maceration–in the style of many a Beaujolais. It begs for a light chill and perhaps some sausages or even grilled fish.

2019 Tetramythos Mavro Kalavrytino Natur

Here’s another fresh red from the Peloponnese, from the rare, über-local variety mavro kalavrytino. It’s darker-fruited and a little more earthy than the preceding, but still light on its feet and low in tannin. Farming is certified organic, and the grapes are foot-tread. Try it with mushroom dishes or truffled cheeses.

2020 Thymiopoulos Naoussa Xinomavro Young Vines

Naoussa is a wine appellation in the northern Greek region of Macedonia (not to be confused with the Republic of Macedonia, the country right across the border). Xinomavro, often compared to Italy’s nebbiolo, is the star grape in Naoussa. Thymiopoulos’s organically and biodynamically farmed young-vine version is akin to an easygoing Langhe nebbiolo: fresh, with moderate tannins and aromas of olive, spice, and underbrush. Give it a go with tapenade or lamb.

Crete is the southernmost Greek island and the largest producer of wine in the Aegean Sea. We recently brought on four new wines from the Lyrarakis family. They founded their winery in 1966 and now work with 100 small, independent growers all over the island (in addition to farming their own vineyards). Their focus is on indigenous varieties, and they are intent on improving both farming and vinification throughout Crete.

2020 Lyrarakis Assyrtiko Vóila

Made from 100 percent assyrtiko grown at 580 meters in the Vóila area of eastern Crete, this stony, herbal, lemony, and lean wine undergoes 16 hours of skin contact. Drink it with creatures of the sea or fresh cheeses.

2019 Lyrarakis Plytó Psarades

Plytó is an indigenous variety that was saved from extinction by the Lyrarakis family in the early 1990s, when they planted it in the family’s “Psarades” vineyard (at 480 meters altitude in central Crete). Plytó makes a fresh, citrus, and mineral white wine with an herbal tinge. Dolmas, pesto, and sole piccata would be worthy complements.

2020 Lyrarakis Liatiko Kedros Rosé

This direct press rosé is made from the indigenous red variety liatiko, the most widely planted grape on the island of Crete. These grapes come from ungrafted vines planted over a hundred years ago on Mount Kedros in eastern Crete, at an elevation of 850 meters. Think of it as Provençal rosé, but with brambly fruit and a saltier finish. A consummate aperitif wine, it’s also great with meze/tapas and just about anything else on a sunny day. (Our meager allotment is running low, so this is one to jump on now.)

2019 Lyrarakis Liatiko Aggelis

From the Aggelis vineyard in eastern Crete, this red wine is 100 percent liatiko, from ungrafted vines planted in the 1930s. As a red wine, liatiko tends to be lightly colored, with floral and spicy notes. You’ll find black pepper, smoke, and stones, along with a little tannic kick. How about spanakopita, falafel, spiced meatballs, or kebabs?

We’ll finish our tour not in Greece, but in the Republic of Cyprus, an island nation south of Turkey and west of Syria with a long cultural and political (and contentious) connection to both Greece and Turkey.

2020 Tsiakkas Mouklos Mavro Red

This lively, pale-colored wine comes from the Tsiakkas family, whose winery is located near Cyprus’s Mount Olympos. Mavro ambelissimo is the variety, and Mouklos is the vineyard–north-facing at 920 meters altitude. The grapes, farmed organically, come from 80-year-old, ungrafted, bush-trained vines in sandy, volcanic soil. The indigenous fermentation (80 percent whole clusters) and 35 days of (gentle) maceration all take place in stainless steel. Delicately floral and herbal, with great acidity, this is for lovers of gamay, poulsard, schiava, pelaverga, and the like. Chill it a bit, and then enjoy it with charcuterie, moussaka, pork, or lamb.

I’ve never been to Corsica, but, man, it sounds like paradise to me. Mountains, forests, coastline, and sunshine–what could be bad?  Hey, you don’t get the moniker “Île de Beauté” (Isle of Beauty) for nothing. Oh, and Corsica has a winemaking history that dates back around 1,500 years. Are you in?

The island of Corsica seems to pack enormous diversity into its roughly 3,300 square miles, and that includes culture, cuisine, and topography. (“Mosaic” is a commonly used description.) A semi-autonomous region of France for the last 250 years, it owes as much to the Italians as it does to the French. (It’s actually closer to Italy than to France and was previously under the rule of Pisa and then Genoa.)

Reflecting both French and Italian influences, the wines of Corsica offer entirely distinctive, yet completely recognizable drinking experiences. A combination of warm temperatures, limited rainfall, high elevations, and maritime winds provides prime winemaking conditions, and a range of microclimates yields a dazzling array of wines–from elegant and mineral to fleshy and ripe.

For evidence, look no further than the two most acclaimed Corsican appellations: Patrimonio, in the north, with its chalky clay soil, tends to produce rich, textured, aromatic wines, while Ajaccio, to the southwest, turns out graceful, vibrant wines thanks to its persistent breezes, granite soil, and high altitude.

Abbatucci vineyards in Ajaccio.

The Ajaccio appellation is home to one of Corsica’s most renowned houses, Domaine Comte Abbatucci. Sadly, Abbatucci, founded more than 70 years ago, is still reeling from a massive blaze that destroyed much of the winery earlier this year. We are rooting for a speedy recovery, and not only because they produce some of the island’s most memorable bottlings.

The domaine is run by the obsessively biodynamic winemaker Jean-Charles Abbatucci, progeny of a French Revolution hero–and a man who is said to play traditional Corsican music for his, um, vines. (Ajaccio was the birthplace of another French Revolution hero, by the name of Napoleon.) They offer a dozen or so cuvees, in a wide range of styles.

At Paul Marcus Wines, we’re currently enjoying the 2020 Abbatucci Rosé ‘Faustine,’ made from the sciaccarellu grape. Most likely brought over hundreds of years ago from Tuscany (where it’s known as mammolo), sciaccarellu creates cherry-fruited, gently herbaceous, medium-bodied reds with smooth tannins and notes of black pepper. It also has a particular affinity for rosé, as Abbatucci’s offering shows. The wine is savory, salty, and bright; it would be difficult to find a more refreshing and satisfying sipper, yet it will hold its own at the most demanding brunch table.

If you’d like to experience the heights of Corsican winemaking, we have a couple of bottles each of Abbatucci’s higher-end wines: the 2017 Abbatucci ‘Monte Bianco,’ a sciaccarellu red of immense depth and complexity, and the 2016 Abbatucci ‘Diplomate,’ a stimulating, voluptuous blend of Corsican white grapes.

Up north, in the Agriates (considered by many to be Europe’s only true desert), you’ll find Domaine Giacometti, located in the far reaches of the Patrimonio appellation. Their 2020 Domaine Giacometti Patrimonio Rosé ‘Cru des Agriate’ is made from 75 percent niellucciu and 25 percent sciaccarellu, and it balances a generous mouth feel with a dry, clean finish. (Niellucciu, an extremely close relative of sangiovese, is thought by many Corsicans to be an indigenous grape, but it might have, just possibly, been imported from Tuscany also.)

The 2020 Domaine Giacometti Patrimonio Blanc ‘Cru des Agriate’ is a stony, yet textured vermentinu that ages on the lees in stainless steel. Best of all is the 2018 Domaine Giacometti VdF Rouge ‘Sempre Cuntentu,’ a highly quaffable sciaccarellu that requires nothing but two glasses and a friend.

The Sant Armettu winery is situated in the warm, craggy Sartène region, a lesser-known destination south of Ajaccio. The supple 2019 Sant Armettu Corse Sartène Rouge ‘Rosumarinu,’ a sciaccarellu aged in stainless steel, displays plush, dark fruit tempered by vivid acidity–perfect for succulent braised meats. Made from 100 percent vermentinu, the 2019 Sant Armettu Corse Sartène Blanc ‘Rosumarinu’ is structured and serious, with ample stone-fruit flavors.

I’d be remiss if I didn’t mention the 2020 Domaine de Marquiliani ‘Rosé de Pauline,’ a legendary Corsican vin gris that blends sciaccarellu and syrah with a dollop of vermentinu. The result is a feathery, faded-pastel-colored wine with enticing, exotic aromas and a kiss of Mediterranean salinity.

All of these Corsican beauties are available today at PMW, as are several others, including two vintages of Antoine Arena’s Bianco Gentile–full-bodied and lush, yet subtle and sophisticated wines made from an ancient Corsican variety brought back from the edge of extinction. Visit us at the shop to learn more about these unique selections.

An oxymoron? Mutually exclusive? Magical thinking? No, affordable Burgundy really is a thing.

Of course, it is nearly impossible to buy a quality bottle of Gevrey-Chambertin or Puligny-Montrachet for $30 or $40. But improvements in winemaking (with perhaps an assist from climate change) have dramatically increased the quality of wines from less-renowned areas of Burgundy. And though we now taste many fine examples of pinot noir and chardonnay from a wide range of locales, Burgundy remains, for many of us, a unique delight and still provides the greatest expressions of these two grapes.

Here are a couple of whites and reds between $20 and $50 that exhibit the distinctive pleasure and beauty of excellent Burgundy without breaking the bank. Fair warning: They may whet your appetite for some of those more special-occasion wines previously mentioned.

Whites:

2019 Seguinot-Bordet Petit Chablis ($21)

The young and talented Jean-François Bordet comes from a family that has been making wine in the area since the 1590s (19 generations). The wine is classic–vibrant, lively, and textured (but no oak), boasting the distinctive, sea-fossil minerality that makes Chablis and Petit Chablis so unlike any other chardonnay from Burgundy or elsewhere.

2016 Marc Colin Saint-Aubin 1er Cru ‘Les Castets’ ($49)

For now, the Saint-Aubin appellation–nuzzled up next to Meursault and Chassagne in the southern part of the Côte de Beaune–still flies under the radar of many Burgundy lovers, but don’t expect that to continue for much longer. Here’s what Marc G. had to say after recently enjoying a bottle of the 2016 Colin: “After opening with a hint of reduction, it blossoms into an immensely satisfying, superbly balanced combination of fruit and freshness. Grab your crab crackers, and go to town!”

Reds:

2017 Maurice Charleux Maranges 1er Cru ‘Les Clos Roussots’ ($33)

This jewel comes from one of our great longtime friends, Charles Neal, who imports a remarkable selection of wines from France that just about always offer an exceptional price-to-quality relationship. (He’s also written a definitive book about Armagnac and remains a knowledgeable and gifted music writer.) Maranges is the southernmost appellation in the Côte de Beaune and is beginning to enjoy recognition as an area that delivers first-rate, generously flavored wines deserving of greater attention. Les Clos Roussots is a parcel from south/southeast vineyards at about 1,000 feet. It is a delicious example of the lush, full-fruited wines of the area. All of the Charleux wines are worth seeking out, including the newly arrived 2017 Santenay 1er Cru ‘Clos Rousseau’ ($36), made from 30-year-old vines and offering a touch more minerality from the limestone soils.

2018 Faiveley Mercurey ($35)

Given the prices of Burgundy, it’s rare that I can say, “We have trouble keeping this in stock.” But that has been the story with this wine–multiple customers coming back for multiple bottles, or cases. Mercurey, in the Côte Chalonnaise, south of the Côte de Beaune, can produce wines of great strength and character that bear a resemblance to Pommard. So far, 2018 is proving to be a lovely vintage for red Burgundy, and this charmer from Faiveley shows what both place and vintage have to offer. It has classy, expressive, upfront fruit notes that make the wine immensely appealing right now, but also enough backbone and grip to let you know that there is more to be revealed with another few years in the bottle.

As always, keep an eye out for exciting new arrivals over the next few months, especially as more of the stunning 2018 reds start rolling in. For instance, we’re awaiting the 2018 Auxey-Duresses from organic grower Agnes Paquet, a darling of the three-star Michelin somms in France. Also new in the shop is the 2018 Domaine des Rouge-Queues Santenay ($49), a dark-fruited, earthy, yet supple pleasure.

Everyone at PMW loves Burgundy, and we strive to curate our selections very carefully to offer attractive options from various climats–and at a range of prices. At the highest level, Burgundy can be an almost otherworldly experience (in more ways than one). But thankfully, we can defy some conventional attitudes about the area and show that reasonably priced, quality Burgundy is not a fantasy.

Last month, I wrote about dry wines (and one sweet ringer) from Tokaj, in northeast Hungary. This month, we’ll fan out into other Hungarian wine regions and explore more of the dazzling plethora of characterful indigenous grapes, wine regions (many of them, like Tokaj, with volcanic soils), and small, family-run producers.

Most Hungarian white wines offer some body and texture, along with prominent acidity and minerality. They’re also low in alcohol; all but one of the wines presented here are under 13 percent. Don’t let the unfamiliar words on the labels scare you off: I’ve included some pronunciation guidance below, and in any case, the proof is in the glass. If you love French, Italian, Iberian, and higher-acid domestic white wines, these wines will expand your horizons and add a new dimension to your meals (or Zoom happy hours).

Hungary Wine Map

The Hungarian wine appellations mentioned in this article (plus Tokaj, from last month’s article).

2013 Fekete Béla Somló Hárslevelű ($23)

Somló (SHOWM-low) is a wine appellation in western Hungary, not too far from the border with Austria–a low volcanic mountain rising out of the plain. Fekete Béla is by local acclaim the “Grand Old Man” of the appellation. This very wine is the last vintage that he made before retiring in his 90s. Hárslevelű (harsh-LEV-el-oo) is the grape variety, a genetic offspring of furmint that’s more aromatic and a little softer in structure.

This wine is aged in large Hungarian oak casks for two years before bottling. The nose is a festival of dried herbs, with some dried flowers playing supporting roles. There are lots of texture and body, plus a hint of sweetness, with just enough balancing acidity and a whisper of bitterness. Those who like aged Sancerre will enjoy this. And how often do you get to drink seven-year-old Hárslevelű?! Try it with herb-y pizza or pasta sauce, or just on its own at the end of a meal, maybe with an herb-crusted semi-aged cheese. (13.5 percent alcohol)

2017 Sziegl Pince Hajós-Baja Olaszrizling Birtokbor ($22)

Hajós-Baja (HI-yosh-BYE-uh) is located in southern Hungary, near Serbia. Olaszrizling (OH-loss-reez-ling), called welschriesling or riesling italico in other countries, has no genetic relationship to true riesling. It’s widely planted throughout Eastern Europe and the most widely planted white variety in Hungary. The Sziegl family started their winery in 2012, with husband Balázs in the vineyards and wife Petra running the cellar and making the wine–a new generation following the old Hungarian custom of men working in the vineyards and women running the cellars. (Pince (PEEN-sa) means cellar; it’s a word you see frequently on Hungarian labels.)

Their olaszrizling is bright, mineral, and slightly herbal, with medium body and mouthwatering acidity. It leans more toward grüner veltliner than toward riesling. GV fans, among others, should check it out. Drink it with all of those green things that you’re inclined to eat with grüner veltliner or sauvignon blanc: artichokes, green beans, basil, arugula pesto… (12.5 percent alcohol)

2018 Losonci Mátra Riesling [skin contact] ($22)

This winery, run by Bálint Losonci (low-SHOWN-see), is in the volcanic appellation of Mátra, in north-central Hungary, between Budapest and Tokaj. He and a few other likeminded small producers are rehabilitating the reputation of Mátra from decades of Communist-era industrial farming and winemaking. Bálint farms organically and works naturally in the cellar, favoring skin contact for the white wines, no filtering, and only minimal SO2 addition at bottling. All of the wines benefit from naturally high acidity due to the crazy mix of volcanic, iron-rich clay, and chalky soils in the vineyards.

This wine is true riesling–not olaszrizling—but utterly unlike any you’ve had, thanks to the soils and a week of skin contact. It’s the other end of the spectrum from a Mosel (German) riesling: spicy, smoky, redolent, textured, and powerful, yet still without overt weight or alcohol, and of course completely dry. If you love riesling, you need to try this wine–and if you don’t, you probably should try it, too, because it’s so atypical. Smoked oysters, spring rolls, kolbasz (the Hungarian version of kielbasa), and barbecue all leap to mind. My wife and I also enjoyed it with a bunch of Vietnamese dishes from Tay Ho in downtown Oakland–yes, that’s a plug. (12.5 percent alcohol)

2017 VáliBor Badacsony Kéknyelű ($32)

Kéknyelű (cake-NYAY-loo) is the grape variety, of which there are 41 hectares (100 acres) in existence, all of them in Badacsony (BOD-ah-chah-nya), a region on the northern shores of Lake Balaton in western Hungary. The producer, Péter Váli, has the perfect description of this wine: “It tastes like frosted basalt rocks.” There’s a smoky, flinty minerality. It’s textural, but with knife-edge acidity. This is a special wine; it’s age-worthy, and also drinking great now. Chablis drinkers will love it–and it offers Premier Cru quality at a Village-level price. Think oysters, Petrale sole, and shrimp risotto. (12 percent alcohol)

 

2018 Losonci Mátra Pinot Gris [skin contact] ($23)

Here’s another skin-contact white (or, more properly, gray/gris/grigio) from Bálint Losonci in Mátra. Three weeks of skin contact give a medium rosé color and extravagantly spicy nose with minerals, rocks, and baking spices. Aficionados of skin-contact white wines, step right up: This is your (dry) jam. There’s some tannin, so pair it with proteins: Meats (pork, chicken, tacos al pastor) and hard cheeses work well. Or, if you like a gentle tannic twang unadulterated, go for it. (12.5 percent alcohol)

 

 

Many thanks to Eric Danch of Danch & Granger Selections, the importer and distributor of all of these wines, for his help with this article.

Hungary Wine Map

Vinum Regum, Rex Vinorum (“Wine of Kings, King of Wines”) was the famously enthusiastic pronouncement by King Louis XV as he proffered a glass of Hungarian Tokaji to Madame de Pompadour, the official chief mistress of his court. (Yes, that was a real position in Ancien Régime France.) Louis and his main squeeze were enjoying a sweet wine in the mid-18th century. Though traditional Tokaji remains among the noblest sweet wines in the world, the habits and attention of most of us–noble, bourgeois, and plebs alike–have turned to dry wines.

Luckily for us, modern Hungary is here to help, with a dazzling plethora of characterful indigenous grapes. The white wines tend to have some body and texture, along with prominent acidity and minerality. They’re also low-alcohol; all of the wines presented here are under 13 percent. The words on the labels may be unfamiliar and a little challenging to pronounce, but don’t let that scare you off. With a wide array of wine regions (many of them with volcanic soils) and small, family-run producers, Hungary offers so much to discover and enjoy for those of us who love French, Italian, Iberian, and domestic white wines.

This month, we’ll discuss white wines from Tokaj (TOKE-eye), in northeast Hungary, with a little chunk of Slovakia. (Tokaj is the name of the region; Tokaji is the wine from that region.) Next month, we’ll cover white wines from four other Hungarian wine regions.

2018 Bodrog Borműhely Dry Tokaj ($16)

Bodrog is the main river running through Tokaj, and Borműhely (bor-MEW-hay) means “wine workshop.” This wine, made with 70 percent furmint and 30 percent hárslevelű (Tokaj’s two most important grapes), is organically farmed, then fermented and aged in stainless steel. Salty, high acid, and fully dry, with some texture, it’s utterly delicious and an outrageous deal for an organic wine of this quality and character. If you enjoy fresh, young Loire Valley chenin blanc, give this a try. Drink it with clams, chicken, or something spicy, or even as an aperitif if you like something with a little body. (12.5 percent alcohol)

2018 Tokaj Nobilis Furmint Barakonyi ($24)

This wine is all furmint, the most noble variety in Hungary and the backbone of most Tokaji, whether dry or sweet. Tokaj native Sarolta Bárdos created this family winery in 1999, and her vineyards are also certified organic. She is among the new generation leading the quality renaissance in Tokaj and part of a long tradition of woman winemakers in Hungary (where the men historically worked in the vineyards, and the women ran the cellars).

This wine comes from the single vineyard Barakonyi, which has been officially recognized as first-class (premier cru, more or less) since 1737. Fermentation and aging are done in Hungarian oak barrels. It delivers pear-like, slightly honeyed fruit with an almost icy minerality and a hint of oak. There’s texture, elegance, purity, and length; those who enjoy white Burgundy or restrained California chardonnay will like this a lot. (Plus, where are you going to find one of those from a premier cru vineyard for $24?!) Drink it with richer fish and poultry dishes, pork, and spicy enchiladas. (12.9 percent alcohol)

2015 Barta Tokaji Furmint Öreg Király Dűlő ($32)

Here’s another 100 percent furmint dry Tokaji, this one from the equally storied, first-class Öreg Király Dűlő (Old King Vineyard). It’s the highest-altitude, steepest, and most distinctly terraced vineyard in Tokaj. The several extra years in the bottle give you the opportunity to see how dry Tokaji ages. Winemaker Vivien Újvári, yet another woman in charge of a Hungarian cellar, uses organic farming and minimalist winemaking techniques, aging her wines in larger Hungarian oak barrels. 

This wine is beautifully expressive and vibrant now, with a more smoky minerality and a saltier, quite savory palate. If Tokaj Nobilis Barakonyi echoes some of the qualities of white Burgundy, the analog for Barta Öreg Király Dűlő might be aged Loire chenin blanc. It’s a perfect accompaniment for white meats and game birds of all species, smoked salmon, and Asian dishes without too much sweetness. (12.7 percent alcohol)

2016 Patricius Tokaji Aszú 5 Puttonyos (500ml, $45)

OK, this is an article about dry Hungarian white wines, but it would be a dereliction of vinous duty not to mention our one sweet wine from Hungary: Tokaji Aszú. (Vinum Regum, Rex Vinorum!) It’s an aristocratically hedonistic and spectacularly delicious nectar made in part from individual berries (mostly furmint, plus in this case some hárslevelű and other local grapes zéta and kövérszőlő) affected by botrytis, a so-called “noble rot” that shrivels, concentrates, and transforms the flavor of the grapes. You’ll find notes of dried fruits, especially stone fruits, along with a thousand other flavors, fruit and otherwise. 

There’s no need to analogize here, because Tokaji Aszú is simply the greatest dessert wine in the world (sorry, Sauternes). It will sing with blue cheeses, chocolate, and even potato chips. (The last pairing is my invention, as far as I can tell. Try it with José Andrés potato chips, made by San Nicasio in Andalucía, Spain, and available at Market Hall Foods.) Or simply have this Tokaji Aszú on its own as a very special way to end a meal, perhaps with some dried apricots. (11.5 percent alcohol)

Many thanks to Eric Danch of Danch & Granger Selections, the importer and distributor of all of these wines, for his help with this article.

 

There is something very unassuming about the intricacies of Sicily, given its vast, arid landscape, rustic way of life, and history as a cultural crossroads. The people of this island, situated at Italy’s southern tip, take enormous pride in the simple and beautiful treasures that the land has to offer.

View overlooking Cefalù

It is hard to find another place that has been impacted by such a wide array of cultural influences: Phoenicians, Greeks, Arabs, Normans, Romans, Spanish, British, and French among them. Over time, these influences have helped spawn some of Italy’s most cherished agricultural products. Their olive oils, from several different parts of the island, are regarded as some of the finest around. World-class chocolates hail from Modica, and Sicilian nuts are highly prized as well, especially the pistachio, hazelnut, and pine nut (actually a seed). Of course, the wines of Sicily are no exception.

Mount Etna, located in the northeast, is an active volcano that is home to a diverse range of vineyards, some of them planted as high as 1,000 meters up the slopes. These infertile basalt soils are rich in magnesium and iron, which provide little organic matter for the vines. This produces low yields and higher-quality grapes. 

The red nerello mascalese grape is king in this region, exhibiting characteristics of both nebbiolo and pinot noir, while typically boasting some serious structure and rusticity. Carricante is the focus of mineral-driven Etna Bianco, while catarratto, inzolia, minella bianca, grecanico, chardonnay, and other local varieties are sometimes called on to round out the blend. At Paul Marcus Wines, we’re fortunate to work with some of Etna’s most esteemed producers, including Girolamo Russo, Terre Nere, Benanti, and Graci.

The Val di Noto, in the island’s southeastern region, is home to some of my absolute favorite wines on the planet. Vittoria is famous for its blend of frappato and nero d’avola, called Cerasuolo di Vittoria. These wines can offer an amazing balance of freshness, aromatic complexity, and red-toned earthiness that just screams “Sicilia.”

A somewhat newer producer to me, from the town of Pachino just south of Siracusa, is Mortellito. I’ve quickly come to appreciate Mortellito’s wines for their transparency and honesty. There is a rosso made mostly from frappato, with a touch of nero d’avola. It is bright, yet rustic, and not overly floral like frappato can be for some palates. They also make a couple of white wines, including one–comprised mostly of grillo with a bit of catarratto–that reminds me of melons and citrus zest, with a pistachio earthiness and a solid backbone of acidity.

 

 

COS is a winery in Vittoria that was started in 1980 by three friends. Forty years on, their wines have endured; in fact, I feel like they’re making some of their best wines as of late. Their frappato is a jewel, with a bit more depth than most. COS is quite well known for the wines they make in pithos, or amphora–terracotta vessels buried in the ground to age wines before bottling. These wines, just like Mortellito’s, have an amazing freshness and lift for wines grown in such a warm climate. Thank you, white, limestone-rich soils! 

 

 

*****

In the late spring of 2017, my family and I traveled to this uniquely gorgeous locale. So much of the island feels as though you’ve stepped back in time–at least a generation, if not two or three.

I still remember our stay above the picturesque northern coastal town of Cefalù, where we floated in the serene waters of the Mediterranean with our young daughter. (I could really go for that right about now.) The Arab-Norman cathedral in the town square is a real jaw-dropper, too. I also recall spending a late afternoon, bleeding into early evening, on our rooftop terrace in Ortigia, sipping Graci’s Etna Bianco and Russo’s Etna Rosato all the while.

One of my fondest memories was our visit to winemaker Ciro Biondi in Trecastagni, a small town on the southeast side of Mount Etna–an absolute gem of an experience. It was a hot day, not too uncommon in these parts, and we slowly navigated our way up the narrow roads. When we finally arrived, Ciro greeted us with such warmth and took us on a walk to the vineyard just above his house. 

The house was once a palmento–these were traditional winemaking structures, usually just one big room or so, that housed the area for the grapes to be received from the vineyards, then pressed and gravity-fed into its next vessel (concrete, wood, or terracotta). We spent an hour or two tasting a few of his wines on his patio, complete with outdoor kitchen, in the middle of his vineyard. He took us back down to his house and made us pasta for lunch–noodles made from local grains, breadcrumbs, a bit of garlic, fennel fronds, and lots of Etna olive oil. 

Just a few humble ingredients of the utmost quality to make a dish shine: the true Sicilian way.

Several times a day, a customer will come in and ask, “Where do I find Barolo?” And with good reason–Barolo produces some of the world’s greatest wines. These customers have certainly come to the right place, because we do have a large selection of exceptional Baroli.

Rarely, though, does anyone ask to be directed toward our fabulous Barbaresco section. Why is this? For starters, Barbaresco is smaller than Barolo, and far less of it is imported to the U.S. Plus, it hasn’t received as much attention from the public or from wine journalists. This is unfortunate, because Barbaresco can be every bit as marvelous as Barolo, with the added advantages of earlier drinkability and much lower price points.

The Estate of Produttori del Barbaresco, a favorite within the shop.

Barolo and Barbaresco come from the hills of southern Piedmont in a region called the Langhe. Both must be produced using 100 percent nebbiolo. Much like pinot noir, nebbiolo produces elegantly textured, lighter-colored wines that nevertheless have tremendous depth and intensity. Its aromatics are as beautiful and complex as they come, and with incredible contrast. (Famously, descriptions such as “tar and violets” or “rose petals and truffles“ are used in attempts to depict these wines.) They also deliver gorgeous cherry fruit, with notes of licorice and leather.

Just like pinot and sangiovese, nebbiolo can thrive in a number of different zones, each with its own distinct vibe. But, as with those other two grapes, its most noteworthy achievements usually come from just a couple of modestly sized areas. In this case, that means Barbaresco and Barolo. If you have not experienced much in the way of Barbaresco, by all means treat yourself to a few examples.

Without over-generalizing, Barbaresco tends to have a little more finesse and a little less power and tannin than Barolo. It is more closely aligned to the softer wines of La Morra in Barolo than those of, say, Serralunga. At Paul Marcus Wines, we offer wines from some of the top Barbaresco producers. There are the great traditionalists like Produttori del Barbaresco, which is finally getting the acclaim it’s long deserved, and La Ca’ Nova, whose wines represent insane values, with offerings from the grand-cru-level vineyards Montestefano and Montefico for prices below those of even entry-level Barolo. There are the beautifully elegant, polished wines of Sottimano and Musso, as well as gems like Poderi Colla, Serafino Rivella, and Cascina delle Rose. For well under $50 a bottle, you can experience some magnificent wines from this amazing enclave.

Lest I shortchange the “king” Barolo, I should mention that we currently have very small amounts of some of the most impressive and hardest-to-find Baroli, from esteemed producers such as Bartolo Mascarello, Giacomo Conterno, and Giuseppe Mascarello. Please visit us at the shop if you are interested in any of these prized bottlings.

– Joel Mullennix

The hilltop enclave of Montepulciano, located in the Southern Tuscan province of Siena, has a long and storied winemaking history. As with much of Tuscany, sangiovese reigns supreme here (known locally as prugnolo gentile). The historic town, surrounded by vineyards and benefiting from mild Mediterranean weather, produces wines that are capable of reaching the heights of its more recognizable (and, often, more expensive) neighbors, Chianti and Montalcino.

The Vino Nobile di Montepulciano moniker dates back about a century, and in 1980, the appellation became one of the first to receive Italy’s DOCG designation. To qualify for the DOCG, wines must be made of at least 70 percent prugnolo gentile and undergo at least two years of aging (three years for riserva). In the past, Vino Nobile was often considered a midpoint between the brighter, red-fruited Chianti and the darker, more tannic Montalcino offerings, although those generalizations don’t necessarily apply today.

Usually, Vino Nobile wines deliver ample medium-plus structure and bracing acidity, with tannins that are both present and quite polished. (It should be pointed out that wines from this Tuscan region are completely unrelated to wines made in Abruzzo using the montepulciano grape.) Earthy, spicy, and balanced, Vino Nobile can handle everything from hearty roasts and braises to classic tomato-based pastas.

At Paul Marcus Wines, we are currently featuring a number of worthy examples. The stunning 2013 Palazzo Vecchio Vino Nobile di Montepulciano “Maestro” shows a dark ruby color and an enticing floral bouquet typical of high-level sangiovese. Made with 85 percent prugnolo gentile and rounded out with a little canaiolo and mammolo, the Palazzo Vecchio spends at least two years in French oak and six months in bottle before release. The result is an exquisite blend of power and elegance that is entering its prime.

The 2014 Il Macchione Vino Nobile di Montepulciano comes from an estate that dates back to the 18th century; today it’s run by brothers Simone and Leonardo Abram, who took over in 2007. The 2014 Vino Nobile, made from 100 percent prugnolo gentile, is a very pure, stylish expression of sangiovese–tense, mineral-driven, and with just enough dusty grit.

For special occasions, we are pleased to offer two of Il Macchione’s big brothers as well. The 2010 Il Macchione Vino Nobile di Montepulciano Riserva, which sees 40 months in wood of ascending sizes and an added three years of bottle aging, comes from their oldest (and highest-elevation) block. The 2009 Il Macchione Vino Nobile di Montepulciano “SiLeo” cuvee, in its first vintage, is named for the two proprietors and spent 50 months in large 2,500-liter barrels.

Finally, if you’re looking for an introduction to the wines of Montepulciano, the shop also offers the 2018 Gracciano della Seta Rosso di Montepulciano. This young bottling adds a bit of merlot to the mix and is done in a fresher, more accessible style, eschewing oak influence for a sleeker result.

To learn more about the sangiovese-based wines of Montepulciano, please stop by and visit us at Paul Marcus Wines.